aisle not sure i can use the language on tfl of what some of the editors wrote, but you used to have to se around a manuscript, and everybody would note their comments before the editorial meeting and, you know, there were some pretty strong negative comments about that book including one i can't peat on the air. but ending with if there is a market for this kind of book t resign. >> yeah. >> do you still send around those memos at simon and zeuser? >> that's what's so funny because i really want it to b a place where editors like mn can do whatever they want, and i find that story remarkable. >> dan green and dick schneider, to their credit, you know, th said, look, thisis why we have you here. you're 27 years old, and, you know, i bought the book for, i think, $5,000 for world rights and, younow, why not allow a young editor to take a chance now and again? that's why we have them. >> exactly. i mean, that's really -- the exciting thing is to let editors discover writers. that's the reason we're here. >> so, jonathan karp, besides the e-book world that we're live anything today, wha